"Wake in Fright screened in full, while the exceptionally fitting Rhyece O'Neill Band bring the movie to life with an original live soundtrack." - Cactus Records
Rhyece O'Neill Band presents a live, original soundtrack to the Australian cult classic, Wake in Fright. In this performance, the band pay homage to this cult film, situating themselves off to the side of the screen, much like an orchestra would for a play, letting the already intense nature of the film take centre stage as they compliment the spaces between dialogue with desert blues guitar and driving drums.
Filmed in 1971, Wake in Fright delves into the brutal horrors and isolation of outback Australia, as an English school teacher begins his descent into madness. It was described by Robert Ebert as "Powerful, genuinely shocking and rather amazing" and Martin Scorsese reported: "It left me speechless".
The live desert blues interpretation of the film both shocked and thrilled audience members at the first sold out performance at Cactus Room, Melbourne in July 19’. Viewers of the successful screening stated that the live performance both enhanced and supported the already great film and is sure to be synonymous with their memory of an already well loved classic.
This new live re-interpretation is performed with full permission from the film’s Australian distributors, Mad Man Entertainment.
This new live accompaniment to 'Wake in Fright' combines an already unsettling film with the intensity of Rhyece O’Neill Band, one of Australia’s most compelling blues punk bands. The gothic blues guitar, driving bass and boogie near psychotic drums provide a truly stunning context for the film’s dialogue and subject matter. The Band’s re-imagined soundtrack offers viewers both new and seasoned a fresh window into this giant of Australian cinema.
Because this performance makes the screening of the film a main focus, the controversial nature of the film is still very prevalent. The film depicts a wide range of themes that are only suitable for an adult audience.
O’Neill has played pubs and bars in the outback and cities all over Australia and Europe. 2019 saw the release of his third solo album ‘Los Diablos’ which was recorded live to tape in Bohemia, Czech Republic with legendary engineer Milan Cimfe who’s work credits extend to Bowie, Lou Reed and Kris Kristofferson.
Upon receiving a vision in a dream O’Neill packed his life in his car and headed out of his native Victoria the night the state was locked down amidst the pandemic. Since then he has traversed the entire east coast of Australia from his home in South Gippsland to the windy shores of Cooktown in far North Queensland. Upon returning to Brisbane he formed a new band as his band mates were stranded in Melbourne.
With this new band he has recorded a new album called “You'd Be Fucked Trying To Make a Living Outta This”. It is out early 2021
A live recording from our first major show since Covid began was recorded @thezoo.bne by @recordplayrecordz it features @_purepseudo (Matthew Campbell) @christiandriscoll @janeyheart and Edward Thomas. It was a great show supporting @bricklayers_band and @karlswilliams guest on harmonica is @jbpaterson. It was a really great show, everyone was pumped to play a show after months of lockdown. The band shines here on this record. Hastily assembled after I returned from a journey to the far north the band had never played live before. From memory we only had a couple of rehearsals. I was happy to even be out of Victoria let alone playing a show at the iconic Zoo. Go and have a listen it’s on Spotify and all other streaming services. Rhyece
O’Neill has played pubs and bars in the outback and cities all over Australia. 2018 saw the Narodniks release their second album Death of a Gringo on Beast records in France. Following this release the band embarked on a mammoth European tour playing over 41 dates across the continent including 3 shows at the legendary Binic Blues festival in France. While in the Czech Republic they recorded at Sono records with legendary engineer Milan Cimfe. Milan has worked with Bowie, Lou Reed and Kris Kristofferson. He also plays drums with fellow Australian Hugo Race in Dirtmusic a band that the Narodniks draw much inspiration from.
Steeped in the blues, rock & roll, punk and country O’Neill’s influences range from Iggy Pop, Rowland S Howard, Einstürzende Neubauten, the Bad Seeds, Stanford Clarke, W.H. Auden, Rimbaud, PJ Harvey, Sylvia Plath, Patti Smith, Henry Miller, Townes Van Zandt, Dostoyevsky, Lightnin’ Hopkins, John Lee Hooker & Dylan.
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